Mirka Mora
Mirka was born in Paris in 1928 and immigrated with her husband Georges to Melbourne, Australia in 1951.
Her early training was in mime and drama at the
Ecole Jean-Louis
Barrault, but she had already begun to focus on painting by the time she reached Australia. She and Georges were instrumental in the re-establishment of the Contemporary Art Society in Melbourne from 1953, with their apartment on Collins Street being the meeting place and gallery for the
CAS in the early years.
In my opinion, she has been one of the key drivers of what has come to define Melbourne as an Australian City. Her influence on Australian Art and Melbourne culture has cannot be understated.
She was a colleague, mentor, muse and friend of artists including Arthur Boyd, John Perceval, Joy Hester, Charles
Blackman, Laurence Hope and Dawn and Ian
Sime and John and Sunday Reed. The Reeds founded the
Heide Museum of Modern Art located in the then outskirts of Melbourne in Bulleen.
Georges and
Mirka were largely responsible in bringing sophisticated European dining to 1950s Melbourne, opening the
Mirka Café in Exhibition Street in 1954, then the Balzac in East Melbourne in 1958 (the first Melbourne restaurant to receive a 10pm liquor licence) and finally
Tolarno in St
Kilda in 1965. In the photo of
Mirka Cafe above, you can see
Mirka in the centre of the shot, her hand on her face with Georges crouching down.
They were the originators of the true bohemian and artistic flavour of St
Kilda, with the heart based at Hotel
Tolarno.
Guy
Grossi, one of Melbourne's premier Chefs opened his homage to her at the newly refurbished
Tolano Hotel in 2007 naming his restaurant after her:
MirkaMirka Restaurant is a living, breathing canvas-in-progress of
Mirka's work, with her whimsical and instantly recognisable
friezes and murals decorating the walls of the Fitzroy St eatery:
The food is wonderful, the service sublime. I highly recommend a intimate dinner here with those you love.
In a wonderful
interview with Andrew
Denton in 2007, she discussed her life, her loves and her philosophy. In a moving moment she told the tale of how she managed to escape the Holocaust and endeared the audience with her
explanation of some of her more
outrageous public behaviour:
"I don’t like to follow order. And the director of the tapestry workshop, with all due respect to her, had told me what to do when my turn would be to pull the curtain... And when my turn came I said, "I can’t just pull the curtain like all the other people. I have to do something funny." So I organised myself to drop my pants..."To know about her is to be delighted by her.
Sunburned but happy, here I am at
Mirka Restaurant after the races earlier this month.